A Hitchcock marathon at cable reminded me how much I enjoy and admire his movies. At 84, five of his films were returned to the public, and at the late '80s there was many Hitchcock showings in my city. I wasn't aware, though, that those movies hadn't been seen for thirty years. In fact, I've only read about it yesterday, searching about the amazing British filmmaker.
I've seen To Catch a Thief before, maybe twice even, but I had only a vague recollection of the last roof scene. As I've told here before, many movies that I've watched when I was younger are getting another meaning to me. That seems obvious, but it is particularly true about the Hollywood productions from the '30s to the '60s. Some of them are ironic, witty, smart, but some of the more subtle elements passed by me unnoticed at the time. And so it is with amazed yes that I see them again, now in my very advanced age point of view :)
Last week was Cary Grant and Ingrid Bergman together... On this day, I saw Grant with another amazing co-star, Grace Kelly. Both beautiful and talented actresses had died at 1982, with only three months apart. I was a big fan of both at the time, when I was only 12. Their movies was an important part of my life. Some of them, though, became, as I've said, a vague remembrance. That's why I'm choosing to see some of them again.
Cary Grant never ceases to amaze me, he doesn't need to open his mouth to say a lot. His expressions are hilarious, deep, ironic - they convey so much. Grace Kelly is a sight for the eyes in a witty character, as usually are women in the late Hitchcock's movies - it's odd even how those refreshing aspects walk side by side with a few sexist persistent elements. But the women in his movies usually are very no nonsense, its a joy to see.
I don't think this will be my last time with this film - at the end, I was thinking about the next time I'll watch it.
|To Catch a Thief. Directed by Alfred Hitchcock. With: Cary Grant, Grace|
Kelly, Jessie Royce Landis. Writers: John Mitchel Heyes from the novel
from the novel by David Dodge. USA, 1955, 106 min., Mono, Color (Cable).